In January digital projection will take over as the most common method for displaying new releases.
到明年1月，数字放映将取代胶片放映，成为最普遍的新电影播放形式。
The last mainstream theatres in the United States will no longer use 35mm celluloid prints by the end of 2013, and across Western Europe the change will be complete by the end of 2014, according to a report by global market research company IHS Screen Digest.
一份来自媒体分析公司IHS Screen Diges的全球市场调查显示，美国的主流电影院在2013年将不再使用35mm电影胶片，而大西洋对岸的西欧国家则在2014年完成这种放映形式的改革。
Celluloid will become a curiosity in art house cinemas determined to keep traditional film going.
为使传统电影继续延续下去，电影胶片将成为艺术家电影院的珍品。
David Hancock, an analyst at IHS, said: Since 1889, 35mm has been the principal film projection technology, taking movie audiences from the slapstick of the silent age, through the great musicals of the sound era, to the epoch of the summer blockbuster.
IHS的分析师大卫·汉考克说道：“自1889年以来，35mm胶卷放映一直都是主要的电影播放技术，这也让观众从无声的默剧年代，经过拥有伟大音乐剧的有声时代，到现在处处暑假大片的新纪元。”
Only two years ago digital projection was used for just 15 per cent of the world's cinema screens. The swiftness of the cinematic digital revolution can be traced directly to the success of a single film – Avatar in 2009.
就在两年前，世界上只有15%的电影院使用数字放映。电影数字化的转折点就是2009年的大热电影——《阿凡达》。
James Cameron's science fiction epic became the highest grossing movie of all time, taking $2.8 billion (1.8 billion) at the box office. It sparked a boom in 3D films and put pressure on cinemas to upgrade to digital projection.
詹姆斯·卡梅隆的史诗级科幻巨作《阿凡达》成为历史上的大卖电影，票房总额高达28亿美元（约18亿欧元）。《阿凡达》引发了3D电影的热潮，并迫使电影院的放映技术升级至数字放映技术。
As a result demand for 35mm cinema film is expected to decline from 13 billion feet a year in 2008 to just four billion in 2012. Another factor in its demise is the high price of silver, which is needed to make the rolls of film.
于是，35mm胶片电影的胶片的需求将从2008年的13亿英尺，预计降到2012年的4亿英尺。而用于制作电影胶卷的银的价格居高不下，也是导致胶片电影没落的另一因素。 1/2 12下一页尾页